A pair of regency bronze and ormolu mounted cassolettes. The removable tops with pinatum finials inverting to candle sconces, above patinated bodies of waisted urn form, mounted with a leafy frieze and flanked by handles, standing on socle with square plinth base.
Circa 1820
English
Attributed to Gillows
A George IV rosewood sofa table. The rectangular top with twin drop flap ends, above a pair of mahogany lined frieze drawers, dummy en verso, with replaced brass pulls. The top supported by trestle ends with splay legs ending in cast brass caps and castors. The well figured top, veneered from side to side, a technique Gillows used on their sofa tables.
Circa 1820
English
A late 19th century Satinwood and marquetry inlaid bijouterie cabinet. The serpentine shaped top with bevelled glazed centre surrounded by entwined ribbon and leaf marquetry, opening to reveal a relined interior with shaped glazed sides, and standing on four turned legs inlaid to simulate fluting, and united by a wavy stretcher.
Circa 1890
English
A pair of late 19th century, french, porcelain and gilt bronze mounted cassolettes. Each with a pinatum finial above blue porcelain dome inverting to reveal a gilt candle sconce, supported by triform legs with rams head masks and hoof feet, hung with chains and standing on a stepped circular base with bead decoration. The porcelain body painted with panels of flowers and pink ribbons. Original gilt.
Circa 1880
French
After the Antique attributed to Praxiteles
A large Italian patinated bronze figure of the ‘Uffizi’ dancing faun, from the 19th century. The figure standing on an oval base, holding cymbala in his hands, and wears a kroupezion attached to his sandal. Good original patination. Indistinct signature to base of tree trunk.
Italian
Circa 1850
A late 19th century, French, Louis XV style palisander & gilt bronze mounted vitrine. The serpentine shaped top with three quarter gallery, above a scrolling foliate mounted concave frieze with a pair of serpentine glazed doors below, enclosing a glass shelved interior with mirrored back, the sides with curved glass, standing on cabriole legs with shaped stretcher and mirror panelled back. Fine quality oak and mahogany carcass, with well chased and finished bronze mounts. Mounts regilded. The mirror stamped ‘1890’ to the reverse.
French
Circa 1890
A Napoleon III, Continental kingwood gilt metal and marquetry jardiniere. The shaped lid with gilt metal gallery, lifting to reveal the original metal liner, above a serpentine shaped body with inlaid floral panels, supported by four curved square section legs united by a shaped platform stretcher with similar inlay. The whole mounted with ormolu. Label to underside of top, indistinctly marked Bruxelles.
Circa 1870
Continental
A pair of Napoleon III white marble and gilt metal mounted cassolettes. The reversible tops with acorn finials and gilt sconce to the inside, above an ovoid body with tripod supports headed by rams masks and hung with floral swags, standing on stepped circular bases with toupie feet. The mounts re-gilded. Stamped 512 PF
Circa 1880
French
An Edwardian mahogany and satinwood inlaid torchere. The square top above a frieze inlaid on three sides with roundel and scrolls, above a tapering column with moulded plinth base.
Circa 1900
English
A Victorian giltwood and gesso wall mirror. The oval bevelled plate inset bead moulded frame with cabochon surround, surmounted by an acanthus and ‘C’ scroll pediment, with similar to base. original gilding and plate.
Circa 1870
English
A pair of Napoleon III, French, patinated bronze Putti. Each figure standing on a naturalistic base with rouge marble plinth, one holding an oyster shell and knife, the other with a wind instrument. Dark patination.
Circa 1860
French
A pair of Second Empire, white marble and gilt metal mounted Cassolettes. The reversible tops with acorn finials and gilt sconce to the inside, above an ovoid body with tripod supports headed by rams masks and hung with floral swags, standing on stepped circular bases with beaded border.
Circa 1850
French
A pair of mid 19th century, Continental, patinated bronze urns after the antique. Each of shallow dished form with twin acanthus scroll handles and reeded bodies, supported by fluted socles and square plinths. Original patination.
Circa 1860
French
Susse Freres
A pair of late 19th century, French, Carrrera marble and gilt bronze mounted urns. Each urn with pinatum finial, above a pierced rim and ovoid body, flanked by acanthus and floral swag handles, supported by a turned socle and square plinth with canted corners. Fine original mercury gilding to mounts.
Signed ‘Susses Fres’ & stamped ‘Bronze’ to the handles.
Circa 1890
French
A pair of late 19th century mahogany and inlaid bedside cupboards by Edwards & Roberts. The rectangular top with reeded edge above a single panelled door inlaid with satinwood crossbanding and central urn, opening to a single shelf, standing on small bracket feet.
Circa 1890
English
A fine quality late 19th century, French, oeil de vemeil (padouk) card table, possibly by Francois Linke. The rectangular top veneered with padouk and kingwood crossbandings, bordered by inlaid flowers, opening to reveal the original countersunk baize lined interior. The base with panelled frieze inlaid with floral panels and supported by four, rosewood, fluted turned legs ending in toupie feet. The rear legs pulling out to reveal card drawer and support for top. Original gilding to mounts.
Circa 1890
French
Samuel Marti et Cie
A Napoleon III boulle mantel clock. The red tortoiseshell and cut brass inlaid case surmounted by a seated gilded putti, above a glazed door opening to gilt dial with enamel roman numeral tablets, the inside of the rear door finely inlaid. The eight day Samuel Marti movement, numbered 642, with Brocot suspension, rack striking the hour & half hour on a gong. The whole with gilt bronze mounts, regilded.
Circa 1870
French
A late 19th century, Vienna, cold painted bronze figure of a water carrier. The finely detailed figure standing on a square onyx plinth, leaning forward to pour water from a bottle on his back into a water bowl. Indistinctly signed to the back’ Titre”.
Circa 1890
Vienna
A late 19th century, Victorian, satinwood and floral inlaid demi-lune side table. The semi elliptical top with radiating satinwood fan inlay, bordered by a mahogany banding inlaid with trailing flowers, above a similarly inlaid frieze with four square tapering legs ending in spade feet.
Circa 1890
English
An Edwardian carved giltwood long stool in the George I style. The original dark burgundy velvet upholstery with embroidered panels, supported by six moulded square section tapering legs carved with acanthus leaves, and united by wavy stretchers, centred by carved rosettes.
Circa 1910
English
