An early Victorian rosewood Wellington chest. The rectangular top above a slim frieze and six graduated drawers flanked by pilasters, one locking, headed by acanthus carved corbels, and standing on a plinth base.
Height 49 3/4″ (126.5 cm)
Width 24″ (61cm)
Depth 17 1/2″ (44.5cm)
English
Circa 1840
A pair of early Victorian Minton porcelain and ormolu candlesticks of rococo design. The finely enamelled porcelain figures of flower sellers seated beneath a scrolling acanthus candle sconce with a floral cast ‘C’ scroll base. Bronze regilded. Restoration to his hat & hand.
Height 10″ (25.4cm)
Width 6″ (15.2cm)
Depth 6″ (15.2cm)
English
Circa 1840
After Claude Michel Clodion (1738-1814)
A pair of Napoleon III gilt & patinated bronze candelabra after Clodion. The patinated bronze figures of putti each holding aloft twin candle sconces cast with fruiting vines, and standing on turned marble columns with rouge marble plinths.
Height 17″ (43cm)
Depth 5 3/4″ (14.6cm)
Width 9″ (23cm)
French
Circa 1870
Ferdinand Barbedienne A Collas Reduction Mechanique
A late 19th century, French, patinated bronze ‘Laurent De Medicis’ cast by F. Barbedienne, with the A. Collas Reduction Mechanique seal. The well cast and chased figure after the renowned Michelangelo sculpture of Lorenzo di Piero de Medici (1492-1519), in the Medici tomb, Florence. The base with inset seal to the reverse, and inscribed twice F. Barbedienne Fondeur. The base with ink numbering. The Barbedienne catalogue index ‘La Reduction nº 7’.
Height 37 cm
Base Width 13 cm
Base Depth 14 cm
Circa 1890
French
F Bartolozzi & PW Tomkins after William Hamilton
‘Celadon and Amelia’
A pair of George III sepia stipple engravings & etchings published for ‘The Seasons’ by James Thomson. Inset gilt frames with verre églomisé.
Height 21 1/2 “ ( 55cm)
Width 18 1/2“ (47 cm)
English
Circa 1810
Attributed to Edwards & Roberts
A late Victorian mahogany and marquetry inlaid bijouterie table. The rectangular bevelled glazed top with interlaced inlaid border opening to a relined damask interior, above four panelled sides each inlaid with scrolling acanthus, the four square tapering legs each headed by an inlaid frond with trailing garrya below and ending in brass caps and castors. Although not stamped this table vitrine is almost certainly by ‘Edwards & Roberts’.
Height 30 1/2″ (77.5cm)
Width 34″ (86.5cm)
Depth 20 1/4″ (52cm)
Circa 1890
English
Billiet & Cottebrune Paris
A late 19th century, French, brass inlaid scarlet red tortoiseshell and ormolu mounted mantel clock. The finial modelled as a basket of fruit above a waisted shaped case, the sides and front inlaid with engraved scrolling brass and mounted with rococo gilt bronze. The circular gilt dial with twelve piece enamel tablets, an eight day movement with brocot suspension, rack striking the hour and half hour on a bell. Movement and pendulum numbered 8559.
Height 12″ (30.5cm)
Width 6 1/2″ (16.5cm)
Depth 4″ (10.3cm)
French
Circa 1880
An Edwardian satinwood and marquetry inlaid side table. The book veneered rectangular top with purpleheart banding and fan inlaid quadrants, supported by four square sectioned cabriole legs united by a platform stretcher.
Height 26″ (66cm)
Width 22″ (56cm)
Depth 15″ (18cm)
English
Circa 1900
An unusual George III Kingwood & Indian rosewood teapoy now fitted with a brass liner. Of rectangular box form, the rising lid revealing a fitted interior of three tea caddies, one above the other, and a brass liner replacing the mixing bowls. The finely figured Kingwood top and front with tulipwood crossbanding, the sides with brass carrying handles, a small drawer to the right, supported by four square tapering legs with fine line inlay and ending in brass caps and castors.
Height 27″ (60cm)
Width 16″ (41cm)
Depth 12″ (31cm)
English
Circa 1800
A mid 19th century, Victorian, Gothic brass skeleton timepiece with rosewood plinth and glass dome. The single fusee movement with anchor escapement of eight day duration, with five & spoke wheel work throughout (six spoke to the escape wheel). The circular dial retaining the original gilding and painted roman numerals with signs of wear to some numerals. The shaped plates with six turned pillars, brass bob pendulum retains the knurled locking nut for transportation.
Timepiece dimensions
Height 11″ (28cm)
Width 5 1/2″ (12cm)
Depth 4″ (10cm)
English
Circa 1840
A mid 19th century, Victorian, walnut bookcase. The rectangular verde marble top with re entrant corners, inset a moulded edge with narrow frieze, above three adjustable open shelves flanked by rounded corners with acanthus carved corbels and standing on a shaped plinth base with turned feet.
Height 48 1/2″ (123cm)
Depth 12″ (30.5cm)
Width 42″ (107cm)
English
Circa 1850
A late 19th century, continental, patinated bronze figure of Lorenzo de Medici. Cast after the figure by Michelangelo from the tomb of Lorenzo di Piero, Duke of Urbino, in the Basilica of San Lorenzo, Florence, Italy. Dark brown patination. Original fleur de peche marble plinth.
Height 7″ (18cm)
Width 2 3/4″ (7cm)
Depth 3 3/8″ (8.5cm)
Italian
Circa 1870
An Edwardian Mahogany and marquetry inlaid revolving bookcase. The square top with flame veneered centre banded by a satinwood border inlaid with trailing marquetry. The four sides with open shelves and fielded panels supported by a revolving base with castors.
Height 33 1/2″ (85cm)
Width 19 1/2″ (49.5cm)
Depth 19 1/2″ (49.5cm)
English
Circa 1900
An Edwardian Giltwood & Gesso oval mirror in the Adam Style. The original oval bevelled plate inset a moulded frame with urn surmount hung with garrya husks and flanked by rams heads, the base with laurel sprigs.
Height 34 1/4″ (87cm)
Width 35″ (89cm)
English
Circa 1910
An Edwardian mahogany, boxwood line inlaid and chequer strung cylinder bureau. The rectangular top above three frieze drawers with a cylinder front rising to reveal a fitted interior of pigeon holes and small drawers with pull out leather lined writing slide. The kneehole base with single frieze drawer flanked by a pair of small drawers to each side and standing on square tapering legs ending in spade feet. Retaining the original brass and ivory pulls throughout.
Height 43″ (109cm)
Width 36 1/2″ (92.7cm)
Depth 21″ (53.3cm)
English
Circa 1900
Leroy et Fils
13-15 Galerie Montpensier Palais Royal Paris
A late 19th century, French, gilt bronze and porcelain mounted mantel clock. The figure of a seated winged putti on a stepped plinth with a circular jewelled porcelain panel dial painted with Roman numerals and floral swags, flanked by cornucopia overflowing with flowers, the sides with rectangular landscapes. The concave stepped base with three frieze panels. Fine original matt and burnished gilding. The eight day movement with Brocot suspension rack striking the hour & half hour on a bell. Case, porcelain, movement & pendulum stamped 7340, mounts stamps ‘LC’.
Height 15 1/2″ (39.3cm)
Width 7 1/8″ (18cm)
Depth 5 1/2″ (14cm)
French
circa 1880
A pair of Victorian gilt bronze twin branch candelabra. The pair of sconces issuing from a central fluted stem hung with garrya husk swags, a central musical trophy mount to front with stepped plinth and toupie feet. Bases signed Susses fres.
Height 6 14″ (15.8cm)
Width 9″ (23cm)
Depth 2 3/4″ (7cm)
English
Circa 1860
A Victorian solid walnut plate/picture stand. The arched shaped backrest above a platform base with wide gadroon carved frieze.
Height 21 1/2″ (54.6cm)
Width 20″ (50.8cm)
Depth 7 1/8″ (18.1cm)
Circa 1860
English
Edwards & Roberts
A late Victorian mahogany and marquetry inlaid bijouterie table by Edwards & Roberts. The rectangular bevelled glazed top with leafy inlaid border opening to the original velvet lined interior, above four panelled sides each inlaid with scrolling acanthus and wide rosewood cross banding. The four square tapering legs each headed by an inlaid urn with trailing garrya below and ending in brass caps and castors. Stamped to the interior ‘Edwards & Roberts’.
Height 31″ (79cm)
Width 34″ (86.5cm)
Depth 20″ (51cm)
Circa 1890
English
A late 19th century, Napoleon III, French gilt bronze and porcelain clock retailed by Lee & Son Belfast. The finely cast and chased clock case in the Louis XVI style surmounted by an urn, flanked by pinatum finials, with bowed panels to the sides painted with musical trophies and the central panel with cherubs. Original gilding to case retaining silver highlights. The eight day movement by J B Deletrez, rack striking the hour & half hour on a bell, with Brocot suspension. The case, pendulum and movement numbered 32471.
Height 14″
Width 10″
Depth 5″
French
Circa 1880
