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Mahogany Oval Table

An Edwardian mahogany and inlaid table. The oval top with central medallion and swag inlaid border, above a satinwood crossbanded frieze supported by four square section tapering legs united by a wavy stretcher and ending in spade feet with porcelain castors.

Circa 1900

English

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Holland & Sons Table

Holland & Sons

A mid 19th Century walnut and marble topped table. The circular replaced grey marble top above a slim frieze supported by a turned column with concave triform base and turned bun feet with concealed castors.

Stamped to the underside Holland & Sons

Circa 1850

English

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Satinwood Cabinet

Attributed to Gillows

A late 19th century, Victorian, satinwood and kingwood crossbanded side cabinet. The rectangular top with outset corners, above a single mahogany lined frieze drawer, inlaid with panels and floral swags, above a pair of panelled doors centred by painted panels of classical maidens, standing on tapering square legs with brass ball feet. Fine original condition, retaining the original brass handles.

English

Circa 1890

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Victorian Inlaid Walnut Table

A mid 19th century, Victorian, inlaid walnut, kingwood crossbanded and ormolu mounted side table. The serpentine shaped top with central cartouche of scrolling acanthus enclosing floral inlay with butterflies, with tulipwood and kingwood cross banding, above a  base with single short frieze drawer, serpentine sides and cabriole legs ending in ormolu sabots. Mounts re gilded.

English

Circa 1870

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James Shoolbred satinwood Corner Cabinet

Jas SHOOLBRED & Co

A late 19th century, Victorian, satinwood and satin birch corner cabinet. The pediment above a mock fluted inlaid frieze, with a pair of bowed glazed doors under, enclosing a relined shelved interior. The base with small frieze drawer, retaining original ivory pulls, above further pair of oval inlaid bowed doors, standing on splay feet. Drawer stamped Jas SCHOOLBRED & Co.

English

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Mahogany french Bureaux Plat

A late 19th century, French, mahogany and gilt bronze mounted bureaux plat. The serpentine shaped top inset with a leather writing surface and banded with a gilt bronze border, above three oak lined frieze drawers with milled gilt bronze bandings and foliate escutcheons, the four cabriole legs headed by bearded satyrs with acanthus leaf fronds and hairy paw sabots. Mounts re gilded.

French

Circa 1890

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Gillows Walnut Work Table

GILLOW
A figured walnut and tulipwood crossbanded work table. The finely figured central rectangular top, flanked by further compartments with flaps opening to the sides, the serpentine shaped sides with wool basket, standing on four slender cabriole legs. Stamped ‘Gillow’ numerous times.

Circa 1860

English

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Dancing Fauns

‘The Dancing Faun’ Pompeii & ‘The Dancing Faun’ after Soldani.

A pair of 19th century ‘Grand Tour’ bronzes after the antique. The Pompeii faun, a bearded male, standing with his right foot forward, hands held aloft, the other depicted with his right foot on a scabellum and with a cymbal in each hand. Each on a rectangular sienna marble plinth. Original patination.

Circa 1860

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Antique French Porcelain & Gilt Bronze Clock

A Napoleon III, French, gilt bronze and porcelain mantel clock. The urn surmount with floral and hung with chains, above a circular porcelain dial, with acanthus scroll sides, the inverted breakfront base with scroll inset panels on toupie feet. The front and sides inset puce painted porcelain panels in a ‘Wateauesque‘ style. The Vincenti eight day movement with brocot suspension striking the hour & half hour on a bell, numbered 1830. Original two tone matt & burnished gilding.
The porcelain panels signed to reverse ‘Morel Carpentier 1831’

Circa 1860

French

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Grant Fleet Street Rosewood Bracket Clock

John Grant Fleet Street

A George IV rosewood bracket clock in the Gothic taste. The shouldered lancet shaped case surmounted by a carved stepped plinth with turned and carved finials, the sides with pierced brass fretwork. The front glazed door opening to a resilvered dial engraved with acanthus scrolls and roman numerals, and signed ‘Grant Fleet Street’. The eight day double fusee five pillar movement with strike/silent lever and anchor escapement, striking the hour and quarter hour on two bells.

English

Circa 1830